Näytetään tekstit, joissa on tunniste black apron. Näytä kaikki tekstit
Näytetään tekstit, joissa on tunniste black apron. Näytä kaikki tekstit

torstai 31. tammikuuta 2013

The to do list, so far...(and loads of photos)

Still no sewing here, except for this folk dress, a feresi it's called, and some ribbon weaving. So, a good time to list the pieces I mean to make when I get my act together again.

First, the pelisse. Or more like, THE PELISSE. It's gorgeous. It needs to be made. It's so ultra-stylish and perfect that I'm a little scared to try my hand in making a replica of it. I saw it in September at the Museum of London and instantly thought "I need to make this for Jane Austen Festival next year". Obviously, the museum has better pictures on its web pages (here) but here are some of mine as well.

I can't decide which colour my pelisse should be. The original is fairly light bluey-grey and it looks very nice but I don't think it's really me.



The trimming is lovely. I can't make out what fastenings this thing uses.



Then there's this spencer, from a museum in Stockholm. It's actually the jacket of a riding habit which I spotted in a book about Regency women, fashion etc. (Persson, Helen: Empirens Döttrar - Kultur och mode under tidigt 1800-tal). I just want the spencer because the braidwork and embroidery are to die for.




I should also make new stays, both 18th century and Regency. I don't really like staymaking, so I'm putting it off, only I can't really make new gowns before I have the stays, so it's a vicious circle. I did finish that black swallow tail jacket, though, and I'm very pleased with it. Here are some pics of it:

The stomacher is pinned on the stays.



I filled out the bum roll :)

The black ribbons are apron strings.


I'm standing on a stool to get a full lenght photo. Black clothes don't photograph well without good lighting. This ensemble has somehow very Dutch or French feel to it (at least to me).



 Lastly, some close-ups of the red frilly spencer.



The front is pinned togehter, and the top is adjusted with the ribbons.



lauantai 10. marraskuuta 2012

About aprons

I took a little turn to more common, everyday 18th century clothes with the black print swallow tail jacket and the red petticoat, so an apron was a natural accessory to them.
Trying on the clothes. The jacket still needs a stomacher and lacing.




 I made a black apron out of cotton batiste. Yes, I know, not very practical, but to me, the colour and the connotations of the apron itself were more important. I found some interesting facts when I was looking into apronwearing in history.
For example there are notes on estate records from the 17th century about middle and rural class women wearing aprons; of course an apron as a piece of clothing goes back to Iron Age and beyond. Usually the aprons of 17th and 18th century were made of bought, not homemade fabrics, and especially the Sunday apron (aka. the "better" apron) was an important purchase for rural women both in Finland and in Sweden. Usually these aprons were black or green, though in Central Finland and Southern Finland print patterned linen was the choice fabric for aprons. These characteristics are still represented in the different regional national costumes in Finland.

Finnish national costume of the Kokkola area, designed after late 18th century estate records


As always there were also luxury laws that restricted the fashions, for example in the 17th century it was forbidden to decorate your apron with lace; caps and kerchiefs, yes, but not the aprons.

18th century aprons, the upper class versions, Leloir's Histoire du Costume 1678-1725


The oldest types of Finnish aprons were narrow and fairly short cotton aprons that were copied from the fashions that the upper classes sported. Usually a woman would have had everyday aprons for work and then one or more finer aprons for special occasions.

Finnish national costume from Vehkalahti region. Also this vertically striped apron was a popular fashion.

The connotations and beliefs connected to the apron were very versatile; as a rule, an apron was a symbol of a good woman and a mother, proof of her as a domestic, hard working, careful, modest, and patriotic person. According to Scandinavian folk beliefs, the most important aspect of the apron was not to protect the woman's clothes, but her reproductive organs. A pregnant woman could not go around in public without an apron because the pregnancy had to be protected from an evil eye. To meet a pregnant woman with no apron was very unlucky, she was thought to radiate bad energy with no protection.


Aprons were also used as talismans and for domestic spells. To keep the cows from running away the woman of the house would tie her kitchen apron at the cow byre door. In order to get a farm animal pregnant it helped to tie a pregnant woman's apron around the animal's neck. 
Also, surprisingly, patching up an apron was allowed only to older women who were past their prime and who had entered spinsterhood. It was thought that  to use or fix such broken talismans would cause other women to stray from what was good and proper. The same would happen if you lost or accidentally dropped your apron.

Finnish national costume from Masku region near Turku



Sources:
Terttu Lehtimäki: http://www.nokiankylat.com/taivalkunta/kylalehti/lehti/tekstit/2002/lehti1/esiliina.html, 
Sari Miettunen: http://www.ts.fi/teemat/sunnuntai/1073985621/Mekon+suoja+ja+siveyden+turva, interview with costume researcher Outi Sipilä.

http://www.kansallispuvut.fi/puvut/masku_np.htm
http://www.taitokeskipohjanmaa.fi/kokkolan_seudun_naisenpuku.htm
http://www.kansallispuvut.fi/puvut/vehkalahti_np.htm
http://thecostumersmanifesto.com/costumeoldsite/history/100pages/leloirX2.htm