lauantai 17. marraskuuta 2012

Finished sari gown

Today I finally finished the sari gown I started a while back. I'm fairly pleased with the results even though the turquoise gown bodice kept giving me grief and I had to adjust it three times, and it still doesn't fit right. Ah, well, once the open robe is worn on top of it there's none the wiser what is hidden underneath... :) The gown and the robe are very nice and light on, and I just can't wait for Jane Austen Festival again to get to wear it. Here are some photos I took today.



Another drop front gown. I'm not sure if I should add the ribbons to tie the drop front; now it's just pinned on and it's working fine.
.

This is absolutely the first and last time I'll use a sari blouse for bodice. It just doesn't fit right, whatever you do :P

I whipped up a turban using the left-over scraps of gown fabric.

Add caption
From this....

....to this!







Originally, this fashion plate picture inspired me a lot.

...Here's my version of it :)



lauantai 10. marraskuuta 2012

About aprons

I took a little turn to more common, everyday 18th century clothes with the black print swallow tail jacket and the red petticoat, so an apron was a natural accessory to them.
Trying on the clothes. The jacket still needs a stomacher and lacing.




 I made a black apron out of cotton batiste. Yes, I know, not very practical, but to me, the colour and the connotations of the apron itself were more important. I found some interesting facts when I was looking into apronwearing in history.
For example there are notes on estate records from the 17th century about middle and rural class women wearing aprons; of course an apron as a piece of clothing goes back to Iron Age and beyond. Usually the aprons of 17th and 18th century were made of bought, not homemade fabrics, and especially the Sunday apron (aka. the "better" apron) was an important purchase for rural women both in Finland and in Sweden. Usually these aprons were black or green, though in Central Finland and Southern Finland print patterned linen was the choice fabric for aprons. These characteristics are still represented in the different regional national costumes in Finland.

Finnish national costume of the Kokkola area, designed after late 18th century estate records


As always there were also luxury laws that restricted the fashions, for example in the 17th century it was forbidden to decorate your apron with lace; caps and kerchiefs, yes, but not the aprons.

18th century aprons, the upper class versions, Leloir's Histoire du Costume 1678-1725


The oldest types of Finnish aprons were narrow and fairly short cotton aprons that were copied from the fashions that the upper classes sported. Usually a woman would have had everyday aprons for work and then one or more finer aprons for special occasions.

Finnish national costume from Vehkalahti region. Also this vertically striped apron was a popular fashion.

The connotations and beliefs connected to the apron were very versatile; as a rule, an apron was a symbol of a good woman and a mother, proof of her as a domestic, hard working, careful, modest, and patriotic person. According to Scandinavian folk beliefs, the most important aspect of the apron was not to protect the woman's clothes, but her reproductive organs. A pregnant woman could not go around in public without an apron because the pregnancy had to be protected from an evil eye. To meet a pregnant woman with no apron was very unlucky, she was thought to radiate bad energy with no protection.


Aprons were also used as talismans and for domestic spells. To keep the cows from running away the woman of the house would tie her kitchen apron at the cow byre door. In order to get a farm animal pregnant it helped to tie a pregnant woman's apron around the animal's neck. 
Also, surprisingly, patching up an apron was allowed only to older women who were past their prime and who had entered spinsterhood. It was thought that  to use or fix such broken talismans would cause other women to stray from what was good and proper. The same would happen if you lost or accidentally dropped your apron.

Finnish national costume from Masku region near Turku



Sources:
Terttu Lehtimäki: http://www.nokiankylat.com/taivalkunta/kylalehti/lehti/tekstit/2002/lehti1/esiliina.html, 
Sari Miettunen: http://www.ts.fi/teemat/sunnuntai/1073985621/Mekon+suoja+ja+siveyden+turva, interview with costume researcher Outi Sipilä.

http://www.kansallispuvut.fi/puvut/masku_np.htm
http://www.taitokeskipohjanmaa.fi/kokkolan_seudun_naisenpuku.htm
http://www.kansallispuvut.fi/puvut/vehkalahti_np.htm
http://thecostumersmanifesto.com/costumeoldsite/history/100pages/leloirX2.htm

sunnuntai 28. lokakuuta 2012

Burgundy drop front dress

Today I finally finished a dress that has been lying around for quite some time. Before the Bath trip I found nice burgundy cotton with a black print pattern and I made a drop front gown out of it. Then I got distracted, had stuff to finish for Bath and... But now it's ready! I really like it, the hem has massive amount of fabric pleated, so it's maybe more of an early 19th century fashion than anything else. I used my basic bodice pattern, the same as for the white embroidered dress, but with drop front adjustments. I also found The Hungarican Chick's tutorial on bib front gowns(aka drop front gowns) very helpful. As always, everything is handsewn, and the fabric worked like a dream, it's stiff enough to hold its shape and pleats nicely, but so thin that pleating doesn't make the dress look bulky. I might add some ribbons to tie the cuffs a bit tighter, but I ran out of ribbon for now.

First, pin the front flaps closed...


Then tie the ribbons of the drop front bit. I chose to hide the knot/bow under the bib.

The ribbons cross at the back and pass through little loops that help hold the ribbons in place.

All pinned.


I love the hem!

I made me a "Marianne Dashwood" hat :)



Works with the bonnet too.

The pleats


Some posing with my harp.


tiistai 23. lokakuuta 2012

Swallow tail jacket

Last weekend I started sewing the Costume Close-up (Baumgarten) swallow tail jacket and so far it's been a lovely project. My local library very obligingly added the Baumgarten book to their collection after my suggestion and I recently got it on loan, so I enlarged the pattern and was good to go. In an earlier post I mentioned the great tutorial written by Rebecca at A Fashionable Frolick and it really has helped me a lot. For once it was nice to have clear and structured instructions, rather than just winging it on the go.
Preparing to cut the pieces. I only had to lengthen the sleeve cap and the shoulder piece a bit, otherwise the pattern fits me fine.

Trying on the jacket. I whipped up a red cotton petticoat to go with it, too.

I really like the tails!

I need to tidy off the strange corners on the neck edge, make the stomacher and the lace holes.



The sleeves, just pinned on.
As said, I made a red cotton petticoat to go with the jacket. I also was thinking of making a green one, but a proper green fabric (aka. a shade I'd actually like) is very difficult to find here, so red is a good choice. I seem to have misplaced my cap, so maybe this calls for a new one. I'd like to do some proper whitework embroidery. Also, I need to make an apron. I've been toying with the idea of a black apron, but I'm not sure if that's period accurate. I know that black fabric was used for so-called better clothes, especially with the more rural folk, but I need to research a bit more. I just think that black would go better with the jacket and the petticoat than white.

tiistai 9. lokakuuta 2012

The Sari Gown

When I was in Bath in September for the Jane Austen festival, I met Megan who had used saris to make gorgeous Regency gowns. Inspired by that I decided to look for a sari of my own when I returned to London for a few days after the festival. This is what I bought:


The sari itself is about 5,5 m long and 107cm wide, half turquoise gold-spotted crepe-type fabric (I think), half golden yellow, sequined organza with a sequin border running around the edges. There's also a sari blouse, which I have made into the gown's bodice. Before cutting up the sari I decided to wear it in its original form, you know, just because :) I looked up for some sari wrapping tutorials in Youtube and here's the result:



The blouse needed (and still does, as I found out after attaching the hem :P) some serious taking in at the back. I intend to make a drop-front gown with an open robe on top of it, the turquoise part being the gown and the organza part the robe. The gown itself came together very nicely, though, as said the bodice still needs tweaking; I should open the neckline some more and take the whole thing in at the back, again. I didn't really need to cut the hem at all, only to separate it from the organza part and sew the shorter ends together. The hem piece was already edged with the sequin border, so that worked out well, too.

The sari blouse is slightly large on me.

Here the hem is just pinned on, I lifted it higher when I actually attached it.

The fabric is fairly thin and here I have no petticoats on, just the shift. The hem is a bit wonky as it was only pinned on.

The organza part of the hem. This becomes an open robe.

Close-up of the sequin border
I'm making the open robe after Janet Arnold's pattern, though I decided to make the back piece of the robe bodice separately, because the sari is narrower than needed for the pattern to work (i.e. I haven't got enough for the pleats to work right at the back). It still needs adjusting; maybe I should press it a bit so that the pleats would fall better and not poof out so much.

Preparing to cut the open robe. I drew the bodice pattern after Janet Arnold, but decided to make the back bodice separately.

This is the wrong side of the organza, but it's embroidered with turquoise, sequined flowers and little pin-wheels.

Trying on the gown and the robe with a belt cut from the left-over scraps of the border.

This still needs some work, somehow I look like I was pregnant or about 10kg heavier than what I am. Also the gown needs a bib front and the neckline just isn't working.